The cultural and religious ties between Nepal and India have long strengthened people-to-people relations between the two countries. Pilgrims from both nations frequently visit each other’s sacred sites, reflecting a deep spiritual connection. Additionally, the bond extends to arts and culture, showcasing shared heritage and creativity. Recently, the Indian National School of Drama organized the International Drama Festival (IDF) in Kathmandu. Republica spoke with Chittaranjan Tripathy, Director of the Indian National School of Drama, who was in Kathmandu for the event, about various aspects of cultural relations between Nepal and India, focusing mainly on theatrical tradition between the two countries. Excerpts:
Could you start by sharing what brings you to Nepal?
On a personal note, it's my curious spirit. Officially, I'm here because the National School of Drama is hosting the International Theatre Festival, known as Moratorium Mode. This is currently the largest international theatre festival in the world, unique not only for its scale but also for its multiple venues across various Indian cities. This year, for the first time, we’ve expanded to international locations—Kathmandu and Colombo. Our aim is to foster cultural exchanges, sharing ideas and perspectives with our neighboring countries.
What are your impressions of Nepal, and how do you see collaboration between Indian and Nepali artists?
Theatre has a universal appeal—it transcends boundaries. Whether in Nepal, India, Sri Lanka, or any part of the world, storytelling connects us all. Through this festival, we hope to enhance cultural exchanges and collaborations. Nepal and India share deep cultural ties rooted in history and religion—whether through Buddhism or the Ramayana. Both countries have ancient theatrical traditions. This shared cultural heritage inspired us to bring the festival to Nepal, creating a platform for mutual growth and understanding.
One of the objectives of the festival is to strengthen cultural connections. How can theatre contribute to this?
Theatre is inherently people-centric. It doesn’t discriminate—every audience member is equally important. This egalitarian nature makes theatre a powerful medium for cultural exchange. By sharing stories that reflect societal concerns and cultural roots, theatre fosters deep connections beyond political boundaries. It taps into humanity and shared experiences, serving as a bridge between cultures.
As Director of the National School of Drama in India, do you see opportunities for collaboration with Nepali institutions?
Mandala Theatre-Nepal officially opens new comprehensive theatr...
Absolutely! Our graduates are already contributing to Nepal’s theatre scene, training young talent and enriching the cultural landscape. I’ve heard that theatrical activities are thriving in Nepal, which is a positive sign of a tolerant and peaceful society. We are keen on collaborating with governmental agencies and academies in Nepal to enhance training methods and share our pedagogical approaches. Together, we can nurture the next generation of theatre artists.
Are there scholarship opportunities for Nepali students at the National School of Drama?
Yes, students selected for the program can receive scholarships through the Indian Council of Cultural Relations (ICCR). Many Nepali students have successfully completed their courses on scholarship. I encourage more young people to apply and become a part of the National School of Drama.
What is the selection process like?
Applicants must be graduates with experience in at least six plays. The process includes a preliminary test with written, practical, and discussion components, held at various centers across India. Selected candidates attend a five-day residential workshop at our campus, which is quite intense. The final list of students is chosen from this workshop, and successful candidates can join the school with an ICCR scholarship.
You’ve worked extensively in both cinema and theatre. What makes theatre special to you?
Theatre is live—it happens right then and there, in front of an audience. Unlike cinema, which is recorded and can be manipulated during editing, theatre is raw and real. This live interaction makes it a unique and powerful medium.
You have experience in both Indian and international theatre. How do you view South Asian theatre in comparison?
South Asian theatre, including that of India, Nepal, and Sri Lanka, is rich and robust due to its ancient cultural roots. Our traditions in music, dance, and literature are thousands of years old, making our theatre vibrant and unique. However, we often overlook our own heritage, getting influenced by Western theories. It’s crucial to rediscover and contemporize our traditions while preserving our cultural identity.
You’ve composed music for over 70 plays. How important is music in storytelling?
Music is integral to life, and since theatre mirrors life, music naturally enhances storytelling. It creates emotional depth and elevates the overall experience for the audience.
Does theatre still hold relevance in the digital age?
Absolutely! While digital platforms are growing, nothing can replace the live experience of theatre. In fact, digitizing plays can help reach a global audience without diminishing the live experience. Theatre has survived the emergence of cinema, television, and now digital platforms because it offers a human connection that no other medium can. As long as humanity exists, live theatre will thrive.
Has anything about Nepali culture inspired you during this visit?
I am deeply moved by the musicality of Nepali culture. It’s not just soothing but also profoundly spiritual. It resonates with me more than any other element.
Would you be interested in working on a Nepali production in the future?
Absolutely! It would be an honor to act, direct, or compose for a Nepali play or film. It would be a wonderful opportunity to collaborate with Nepali talent and learn from the artistic community here.
Any final thoughts you’d like to share?
We believe in the ancient philosophy of Vasudhaiva Kutumbakam—the world is one family. In today’s interconnected world, this idea is more relevant than ever. India and Nepal share a familial bond, and I hope the younger generation continues to see the world as one community, working together to address global challenges like climate change.
