KATHMANDU, July 10: Kathmandu holding one-third of population in the country produces tons of waste each day. 1000 tons of solid waste per day is dumped at Municipal Landfill at Sisdol from Kathmandu, Lalitpur, Bhaktapur, Kakani, and Banepa.
Bukund Gandharva is 49. He is a musician- a Sarangi player. He first held the instrument as a kid. He then got keenly interested and finally learnt how to playing Sarangi. “I have played the Sarangi since I was a kid.
“I grew interest in our culture when I was a child. I used to play games pretending to carry khat (palanquin), pulling chariot and sit in the chariot. Only when I turned 17, I got the chance for the first time to carry the actual khat. I liked it and volunteered for the second time. And this year I got to carry it again. Deep inside I feel I should follow tradition to preserve our cultural heritage. As long as I stay in Kathmandu, I am willing to be devoted to the deity,” says Shakya.
On the first day of the festival, the deity in Machindranath Bahal is taken in a khat (palanquin) by eight priests and the deity is placed in the decorated chariot. Then, the procession begins from Tindhara (Durbar Marg) and is pulled toward Asan. Priests do not eat anything on the first day until the chariot is brought up to Asan. Before that barber shaves their head around 9 am and they prepare Khat. After that they take bath and they get dressed in white.
“My husband and son died due to lack of health facilities in my village. And. At that time, there was a belief that one should not be given water or any liquid to the person who is suffering from diarrhea. Thus, we did not give him enough water and he died due to dehydration. I lost my two-year old son as well due to lack of health facilities.”
“When I see my two sons aged 10 and 12 holding hammer and tools to carve stones. It reminds me of my childhood. Looking at them, it made me think about my initial days of stone carving,” said Surya. He has always worked around the places surrounded by grand monuments and structure. He worked at Hanuman Dhoka for 6 years and it has been 10 years in Patan and he still is continuing the work. Prior to that, he carved stone slates and paved structures in Banepa, Panauti, Manakamana and many more.
“During my childhood days, I always wanted to be like a girl. And I used to wear my mother’s scarf and acted like a girl. While growing up, I was beaten up for behaving in such manner. Meanwhile, I had no idea why I was like that who wanted to look like a female and why I was attracted to male, being a male,” expressed Alisha, 17-year-old transgender.
“I boiled the egg, taught children and we ultimately shared it among the nine of us. I also recall going to fill up water with one of my students, Nima Dhondup. All these happenings have taught me kindness, appreciation and many things that I feel thankful about which I had previously taken for granted,” says Sanjay.
“Whoever sees it, I want them to experience happiness looking at it. I create with my free will without thinking much about what the society is going to say about my art and how they look at my profession.
“My elders in the family told me I sang beautifully during my childhood. And I got influenced by my friends to pick guitar as my instrument. We practiced guitar together. One day, when I was in grade nine I found Rs 10,000 at home. And without thinking about whose money was that I rushed toward guitar store and bought my first guitar.”
In order to influence, inspire and promote rising athlete climbers, Kathmandu Sports Climbing Center (KSCC) organized its first Open Junior Climbing Competition on Saturday. 105 participants including 50 female and 55 male climbers participated at the top-rope climbing competition.