LOS ANGELES
The unanimous ruling issued Monday by a three-judge panel of the 9th U.S. Circuit Court of Appeals is the latest — but possibly not the last — in a case that has wound through the courts of Spain and the United States for 20 years.
At stake is “La Rue St. Honoré, effet de Soleil, Après-Midi, 1898,” an oil-on-canvas work of a rain-swept Paris street that Pissarro painted as he gazed at the scene from his hotel window. Its value has been estimated at $30 million.
LA judge rules Spanish museum can keep Nazi-looted painting
Lilly Cassirer’s father-in-law bought it directly from Pissarro’s art dealer and left it to her and her husband when he died. In 1939, she traded it to the Nazis in exchange for exit visas for herself, her husband and her grandson, who eventually settled in the U.S. Her great-grandson, David Cassirer of San Diego, has continued the litigation since his father’s death.
Neither Cassirer’s heirs nor Spain’s Thyssen-Bornemisza Museum dispute the painting’s early history.
What’s at issue all these years later is whether Baron Hans Heinrich Thyssen-Bornemisza made any serious effort to determine the painting was looted art when he acquired it from a New York gallery owner for $275,000 in 1976.
Also whether Spanish curators did their due diligence in tracing its provenance when a Spanish nonprofit foundation acquired it and hundreds of other paintings from the baron’s collection in 1992 and created the Madrid museum that bears his name.
Lilly Cassirer’s heirs say she spent years trying to recover the painting before concluding it was lost and accepting $13,000 in reparations from the German government in 1958.
It wasn’t until 1999 that her grandson, Claude, who had vividly recalled seeing it hanging in the family’s German home, discovered it in the Madrid museum. After Spain refused to hand it over, he sued.
Attorney Thaddeus Stauber, who has represented the museum since the case reached U.S. courts in 2005, hailed Monday’s decision, noting that the painting was sold and resold to numerous legitimate and prominent collectors over the years before the baron obtained it, with none discovering it had been seized by the Nazis.
He said there also appeared to be no effort by Thyssen-Bornemisza or any other collector to hide it from the public.
