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From math to mud: How pottery became Mark Nafziger’s true calling

Mark’s pottery spoke to more than just utility. It was an expression of his craftsmanship and a reflection of the balance between functionality and artistic expression. Pottery, as Mark saw it, was inherently functional, a simple mug or bowl, every piece serves a purpose in everyday life. But when infused with personal intent and creativity, it transcended this basic functionality, becoming something deeper.
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By Sara Pahari

KATHMANDU, Nov 25: Mark Nafziger, a celebrated American potter, never envisioned a life shaped by clay. Originally a mathematics student, he stumbled into the art world through chance encounters and personal connections—one of which was meeting his wife, Joyce, an art student and now a fellow potter—ultimately earning degrees in both disciplines. What began as an exploration of creativity alongside his studies transformed into four decades of mastering the craft together.



mark and joyce.pngAs part of the U.S. Arts Envoy Program, Mark and Joyce Nafziger brought their expertise to Nepal, leading a five-day pottery and ceramics workshop at Bhaktapur Pottery Square from November 18 to 22. The initiative, hosted by the U.S. Embassy, Kathmandu, brought together ten female artists from Bhaktapur to refine their skills, blend traditional pottery methods with modern techniques and explore new opportunities for creative growth. Reflecting on his journey, Mark Nafziger shared, “I felt like an accidental potter—it all started with opportunities I never anticipated.”


Mark described the workshop as a mutually enriching experience. “The participants were wonderful,” he said. “They embraced the techniques I demonstrated, adding their unique flair to the pieces they created. It was a beautiful exchange of ideas and creativity.” Joyce echoed this sentiment, marveling at the passion and dedication shown by the local artists.


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Mark emphasized the universality of clay as a medium, calling it a ‘perfect bridge across cultures’. He explained how many of his decorating techniques, developed over decades, had roots in ancient traditions from the Middle East. “To bring these techniques back to this region, where so much of pottery's history originates, felt like completing a circle,” he shared. He acknowledged the innovative ways he incorporated modern tools such as plastic bottles into age-old practices, but humbly credited his expertise to persistence and years of experience.


Mark’s pottery spoke to more than just utility. It was an expression of his craftsmanship and a reflection of the balance between functionality and artistic expression.